Tertiary Catalogue

In the final episode of the series Ollie delves into the most exciting part of colour grading - conveying mood and eliciting emotion with colour. He shows us how this is used so effectively in ‘Whiplash’, where colour becomes a signifier to the emotional journey of the film’s protagonist. Show Less

With everything now set to record, Ollie focuses on how simple colour and contrast management in production can maximise the quality of your digital negative. From using probes to ensure camera monitors are calibrated, to using charts to ensure white balance and contrast are consistent across all cameras; Ollie shows us his top tips for in-camera colour management. Show Less

As we continue looking at post-production, Ollie shows how hue and saturation can be used to direct the viewer's eye in the frame. Using examples from ‘Blade Runner 2049’, Ollie demonstrates how this technique can be used most effectively in your films. Show Less

In this video, Ollie takes us through the process of building custom LUTs on set for monitoring. He shows how simple steps before rolling the camera can ensure everyone on set is connected with the image and able to see how the film’s look is developing in every frame. Show Less

In the first episode of the series, Ollie introduces us to the concept of “Directing Colour” as he begins to produce a commercial for a boutique catering company. He takes us through the process of how he developed a colour palette for their brand which will be woven into the production design for the commercial, and explains how the relationships between colours can create compositional balance in your images. Show Less

Matthew Allard begins by introducing the Canon C200, explaining its key features and capabilities. We Look at what is included with the camera as well as what you'll need to add to get up and running, before finishing with a comparison to both the less expensive C100 Mk II and the more expensive C300 Mk II. Show Less

In this lesson Matt showcases some of the C200's biggest features, starting with its unique Dual Pixel Auto Focus system. We then look at high-speed/slow-motion shooting on the camera with some example footage, before ending with a look at the WiFi remote control functionality. Show Less