Tertiary Catalogue

Maka, a Tongan superfan, will do whatever it takes to get tickets to the Tonga V France Rugby World Cup game—even if that means promising to deliver a brass band for the pre-match entertainment. Only problem is, the band doesn't exist and Maka has four weeks to make one. Inspired by a true story. Straight up, this actually happened. Show Less

In the final lesson of the course, we join Jem in the edit suite to look at the various workflows and tools available for finalizing your footage when using Canon's Cinema RAW Light format. We step through Canon's own utilities as well as Adobe Premiere Pro, Final Cut Pro and DaVinci Resolve. Jem also makes his final statements about the course and the C500 Mark II camera. Show Less

In this lesson we look at general camera settings, which controls resolution output via HDMI or SDI, internal card recording, time code run and sync, and lights on the camera body. Jem also talks about the importance of picking the right fan speed setting, to ensure the camera maintains a cool temperature without spilling over into your audio recording. Show Less

With four audio inputs on the camera body, plus two additional inputs on the EU-V2 expansion unit, there can be a lot of audio input, output, and monitoring options to keep track of. Jem breaks down the best practices for recording clean audio on the C500 Mark II. Show Less

In this brief module we look at how easy it is to create a custom menu so that you can quickly and easily configure your camera at the start of every shoot, based completely on your personal preferences as well as the demands of your current production. Show Less

A key feature of the Canon C500 MkII camera system is its compact size, while allowing multiple enhancements with optional expansion units. In this module Jem shows us the EVF-V50 electronic viewfinder, which can be removed completely for gimbal use, as well as the EU-V1 and EU-V2 expansion units that enable additional audio ports, genlock timecode sync, third party V-mount batteries, and more. Show Less

The C500 Mark II has a number of operator assistance functions to help you get correct focus, exposure and more. In this module Jem walks us through the Focus Guide, Zebras, Peaking, False Color, Waveforms, Vector Scope, Aspect Ratio Markers, and more. Show Less

With its compact form-factor and digital image stabilization, the C500 Mark II can be operated as an extremely discreet handheld package. But by building it out with accessories you can easily transform it into a fully-fledged studio camera or a proper shoulder-mounted camera. In this module Jem gives an overview of some of the possibilities to help you get the most from your camera in different on set scenarios. Show Less

An operator favorite of the Cinema EOS line-up since its inception has been the user assignable buttons. The C500 Mark II can have up to 22 assignable buttons when using the EU-V2 expansion module, so there’s a lot of room for customization. Here Jem walks us through how to set this up, plus a time-saving tip for registering your custom presets. Show Less

Now that we’re familiar with the camera hardware, it’s time to dive into the menus and configuration to best understand how to setup the camera for the needs of each job. To get it started, Jem takes us through the exposure setup, including options with iris and ISO, ND filters, color temperatures, shutter speed, lens correction, and the advanced autofocus settings. We also learn about the C500 MKII’s digital image stabilization and how it works with both Canon and third party lenses. Show Less

There are a ton of custom picture options in this camera, to ensure that it can be matched with other cameras and used in the most specific production scenarios. But it doesn’t have to be overwhelming. Should you shoot in BT709, Canon Log2, and in what color matrix? What are the HLG or PQ options? In this lesson, Jem takes us through the wide variety of picture settings available, while also demonstrating how to work with LUTs in camera as well as outputting to monitors. Show Less

Set against the stunning landscapes of 1930s Arnhem Land, 'High Ground' chronicles young Aboriginal man Gutjuk, who in a bid to save the last of his family teams up with ex-soldier Travis to track down Baywara—the most dangerous warrior in the Territory, who is also his uncle. As Travis and Gutjuk journey through the outback they begin to earn each other’s trust, but when the truths of Travis’ past actions are suddenly revealed, it is he who becomes the hunted. Show Less

Teaching practice should be evidence-based and research tells us a great deal about effective instructional video. In this video, English, History and EAL teacher Steven Kolber covers key ideas and principles, including cognitive load, gesture, duration, instructor presence, highlighting onscreen content, redundancy and facial expression, and offers his own tips for student engagement. A valuable resource for educators interested in starting to make their own instructional videos. Show Less

Instructional video falls into different categories, each with different applications. In this video, English, History and EAL teacher Steven Kolber discusses six options: direct instruction/lecture, shared viewing, partial flip, in-class station rotation, blended/flexible and full flip, explaining how each type can be applied in different classroom contexts. A valuable resource for educators interested in starting to make their own instructional videos. Show Less

Instructional video can take different forms, each with its own pros and cons. In this video, English, History and EAL teacher Steven Kolber introduces four types: screen capture, boards, classroom observation (video on demand) and green screen, giving examples of the equipment and programs required and their benefits and drawbacks. A valuable resource for educators interested in starting to make their own instructional videos. Show Less

Instructional video can free up more class time to deliver pedagogy and enhance your teaching. In this video, English, History and EAL teacher Steven Kolber suggests activities and techniques that you can apply in the classroom, highlighting the importance of formative assessment, applying the learning and creating a student-centric class. A valuable resource for educators interested in starting to make their own instructional videos. Show Less

There are four key steps to creating instructional video for your students: pre-production, production, editing and publication. In this video, English, History and EAL teacher Steven Kolber highlights things to consider at each step, including filming location, handling mistakes, using a script, editing software and where to publish your videos. A valuable resource for educators interested in starting to make their own instructional videos. Show Less

Instructional video can give you more freedom in the classroom to do interesting and engaging things with students. In this video, English, History and EAL teacher Steven Kolber explains why instructional video can be a powerful educational tool, sharing his own motivations, offering tips on choosing the right equipment for high-quality videos. A valuable resource for educators interested in starting to make their own instructional videos. Show Less

What is animation? This Miniclip explores how animators bring characters and objects to life. These 12 principles of animation were first introduced by Disney animators Ollie Johnston and Frank Thomas in 1981. Today, animators around the globe follow the principles to bring realism and appeal to animations. Using visual examples, this video demonstrates the principles in action so students can apply them to their own work and explore the creative possibilities in this field. Show Less